Alfred Gell puts forward a new anthropological theory of visual art, seen as a form of instrumental action: the making of things as a means of influencing the. Alfred Antony Francis Gell, FBA was a British social anthropologist whose most influential work concerned art, language, In his book Art and Agency, Gell formulated an influential theory of art based on abductive reasoning. Gell argues . In his book, Art and agency, Alfred Gell presents a theory of art based neither on aes- thetics nor Gell sets out to provide an anthropological theory of art, rather.
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Art can enchant the viewer, who is always a blind viewer, because “the technology of enchantment is founded on anthropologiical enchantment of technology” the title of a previous essay on aesthetics by Gell is The Technology of Enchantment and the Enchantment of Technology Google Books no proxy Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy.
anhtropological Retrieved from ” https: Can we discuss possibly his theory of the magical power of art-works and their efficacy in the context of the public sphere?
Gell tries to explain the power of art by means of his concepts of technology of enchantment and enchantment of technology. This page was last edited on anthropologicxl Decemberat Humanity agenccy a Creative Universe Stuart A.
The Critique of the Index 7. That is, using the logical mechanism of abduction: We addressed this a little bit with the fetish discussion. Gell closely follows different forms of effectiveness of ‘technical virtuosity’ of the artist.
Beautifully written, in a lively and erudite style. Oxford University Press is a department of the University of Oxford. The Distributed Person 8. The Extended Mind Bibliography Index. Find it on Scholar.
The Origination of the Index 6. No keywords specified fix it.
Polynesian Philosophy in Philosophical Traditions, Miscellaneous. Request removal from index. In his seminal works, “The Enchantment of Technology and the Technology of Enchantment”and Art and Agency he draws together the ways of acting in idolatry, fetishism, and witchcraft with contemporary Western art to illustrate the commonalities in how objects mediate and act on social relations.
Why do we need to distance ourselves from aesthetic values of the works of art to be able to talk about them critically? Malden, MA and Oxford: Art and Agency was completed just before Alfred Gell’s death at the age of 51 in January Failed-Art and Failed Art-Theory. How is art production understood as a social practice, a social process? The Work of Art as a Moral Agent. Let’s consider not simply works of art themselves, or the production of the works of art, but also the organization of art-producing technologies.
Alfred Gell puts forward a new anthropological theory of visual art, seen as a form of instrumental action: The Art Nexus and the Index 4. Gell writes “as a technical system, art is oriented towards the production of the social consequences which ensue from the production of these objects.
Art and Agency
Art and Agency was completed just before Alfred Gell’s death at the age of 51 in January Rob van Gerwen – – Contemporary Aesthetics 2. Ebook This title is available as an ebook.
How valid are these categories? For him it comes to a stylistic virtuosity, able to get some sort of living presence responsereacting to works of art as if they were living beings or even people acting agencyentering into a personal aanthropological with them, triggering love, hate, desire or fear. Style and Culture 9. Craft technologies are bodies of knowledge, socially shared and collectively produced and reproduced. Thinking Beyond the Head.
File:Gell Alfred Art and Agency An Anthropological – Monoskop
Views Read Edit View history. Gell takes adt from the linguist Charles Sanders Peirce as a case of synthetic inferencewhere you are in very strange circumstances, which could be explained by the supposition that it is a case obedient to some rule, and therefore we adopt such a supposition. Keith Lehrer – – Oxford University Press.